Wednesday, January 30, 2008

Don't Forget

I don't care if you ride your bicycle to work at Whole Foods and care about your carbon footprint, don't forget about car culture. If you've ever been oh, let's say, on the 610 Loop on the southeast side at 1 in the morning then it's a little tougher to forget about.



Racing is big on the westside and outside the loop on any of those giant freeways with no traffic at certain times of the night. The other day I saw a completely custom Honda that had its exterior destroyed by a crash or two, he was still swerving through traffic like he was hot shit. Misogynistic, obsessive, paranoid and even violent, car culture is a marginalized and illegal subculture that fuels passions for the bored and the technically adept. Take a little time and hang out in parking lots of strip malls sometime, it's good for ya.


Back in the day


Three days ago

Tuesday, January 29, 2008

550 Comments


Quanell X, in a World War II-era railcar Monday,
was welcomed by leaders of the Holocaust Museum Houston to take a tour.
photo by Billy Smith II, Chronicle


Activist Quanell X has apologized to the Jewish community for previous virulent remarks with a visit to the Holocaust Museum and a statement:

"I apologize to every Jewish (Holocaust) survivor that may have heard anything I have ever said," Quanell said at the end of his tour, which culminated with his placing a stone at an outside memorial, a Jewish custom at a gravesite. "How could I say anything in a vile, malicious or repugnant manner to anyone who has been in one of these camps? I should have never threatened like that.

"I seek the forgiveness of every survivor who has heard the words I've said," he continued. "I did not say them in the proper manner to make the point I was trying to get across. I can see and understand how they might be utterly paranoid (of) a person such as myself."


Quanell's original words are from the Million Man March, when he said:

24-year-old Quanell X told the gathering that offended Jews "can go straight to hell," then expounded on his sentiments to a Chicago Tribune reporter.

"The real deal is this: Black youth do not want a relationship with the Jewish community or the mainstream white community or the foot-shuffling, head-bowing, knee-bobbing black community," Quanell said. "I say to Jewish America: Get ready ... knuckle up, put your boots on because we're ready and the war is going down."

The article in today's Houston Chronicle has already gathered 550 comments in 13 hours on their website, a panorama of opinions from Houstonians.

Football and Artists? Oil and Water?



Buffalo Bayou Art Park [ie Watermelon Flats] turns 21! Everyone is having an anniversary except for poor 'ol dead CSAW.

CORE at 25 Years Young


Amy Blakemore, Two Chairs


Read about the Glassell School's premiere program at a quarter of a century on ArtDaily today!

The Bench Collective




Monday, January 28, 2008

B.S.

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Studio Help Needed -- ASAP!



Trent Hancock is looking for two people to stretch about a dozen large canvases. It could lead to a regular, part-time position doing general studio assisting. Hours are somewhat flexible, but definitely afternoons or evenings. Pay negotiable. CONTACT Monica Vidal at monicalvidal@hotmail.com if interested. Please state experience and pay requirements. Preference will be given to two people that apply together, as scheduling will be easier.

Thanks.

Bile!

Oi! Oi! Oi! Some Mondays just seem like they need some of the ol' humours...

All Around The Big Block and Out Into The Street

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over at the BD, it's over.

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Zaha Hadid
Damn that shit is sexy. Is it opulent and feminine or powerful and masculine?

well, it probably would feel like a Corvette in the living room.





Barbarella or Hans Wegner?






now on to next door!
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Anya Tish- Beata Ewa Bialecka

Rene Magritte or Monty Python?

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at Peel there was a collaboration by this photog guy...


and then downstairs!
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Katie Kahn at Joan Wich

I love drawing on newspapers too... she must have had a lot of down time....


Gratitude, There's No Competition, 2007


The Other, 2007


Wade Wilson
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Virgil Grotfeldt


Mike "No Fatties" Huckabee's Plan For The Arts

Education And The Arts

  • I believe that every child should have the opportunity for a quality education that teaches the fundamental skills needed to compete in a global economy.
  • Music and the arts are not extraneous, extra-curricular, or expendable - I believe they are essential. I want to provide every child these "Weapons of Mass Instruction."
  • Our future economy depends on a creative generation.
  • We need to judge the success of our schools by the results we obtain, not the revenue we spend.
  • Test scores rose dramatically when I was Governor of Arkansas because of my education reforms.
  • I have been a strong, consistent supporter of the rights of parents to home school their children, of creating more charter schools, and of public school choice.
  • We need a clear distinction between federal and state roles in education. While there is value in the "No Child Left Behind" law's effort to set high standards, states must be allowed to develop their own benchmarks.

I believe that every child should have the opportunity for a quality education that teaches the fundamental skills needed to compete in a global economy. As I traveled the country and the world over the last decade bringing jobs to Arkansas, the business leaders I met weren't worried about creating jobs, they were worried about finding skilled and professional workers to fill those jobs.

In addition, I want to provide our children what I call the "Weapons of Mass Instruction" - art and music - the secret, effective weapons that will help us to be competitive and creative. It is crucial that children flex both the left and right sides of the brain. We all know the cliché of thinking outside the box: I want our children to be so creative that they think outside the cardboard factory. Art and music are as important as math and science because the dreamers and visionaries among us take the rough straw of an idea and spin it into the gold of new businesses and jobs. It is as important to identify and encourage children with artistic talent as it is those with athletic ability. Our future economy depends on a creative generation.

Music has always been an important part of my life. I still play bass guitar in my band, Capitol Offense.

As Governor of Arkansas, I undertook several initiatives to encourage arts in education. I passed landmark legislation to provide music and art instruction by certified teachers for all Arkansas children in grades one through six, forty minutes a week. As Chairman of the Education and Arts Commission of the States, I created a two-year initiative called "The Arts - A Lifetime of Learning," which promotes the benefits of arts education to all fifty states.

Students with strong art and music programs have higher academic achievement overall, are far more likely to read for pleasure and participate in community service, and are less likely to engage in delinquent behavior. These programs have a powerful effect in leveling the academic playing field for students from lower socio-economic backgrounds. The study of music improves math scores, spatial reasoning and abstract thinking.

[...]

I opposed the teachers' union and got the Fair Dismissal Law passed, which allowed us to terminate poorly performing teachers. To attract top talent, I raised teachers' salaries from among the lowest in the nation to among the most competitive. I created systems to make our schools accountable to both parents and taxpayers by insisting on transparency in how money is spent, efficiency in putting money into classroom programs rather than administrative costs, and clear responsibility of all employees for the tasks assigned to them.

[...]

We need to test teachers as well as students, replace teachers who aren't competent, and impose reasonable waiting periods for teachers to gain tenure. We should provide bonuses and forgive student loans for high-performing teachers to work in low-performing schools. Just as there are executives in the corporate world who specialize in turning around failing companies, we need teachers who are "turn-around specialists" for failing schools.

Typical employment procedures provide a disincentive for teachers and often discourage potentially good teachers from entering what I consider to be a noble profession. Educators and teachers should be involved in the design of compensation initiatives that encourage training and promote performance based on merit, so that our children can have the best education in the world.

[...]

As President, I will use my broad and deep expertise in education policy to lift up our children and America's economic future.

link HERE

Slippin'

Dammit, I've read this shit but I was doin' shit instead of posting it on the internet. I got scooped.

Is ACK! going over others' tags now?

Box 13 opens down in Eastwood... the Babylonian exile of CSAW begins... is that too dramatic?

...and then there were three on 11th Street...

The Spectacle of the Spectacle at the Station seduces Kelly....

A macabre auction is getting a boost- "It's not just for any collector," laughs gallery owner Betty Moody. "But there are always the Lester Markses of this world: great collectors who love quirky things. Somebody is bound to buy it."

"Describing Raymond Nasher as having anything to do with "greed-based individuation" sounds typical of a bratty, smarmy little Neo-Marxist with a mouthful of artificial distinctions trying to climb the Academic ladder. Go wash your mouth out with soap, little girl." What is this about? Tee hee.

The Contemporary Arts Museum, Sans Target

The 2006 National Design Triennial, Design Life Now, opened on Friday at the Contemporary Arts Museum with windshield wiper fluid Targetinis (no joke- they serve 'em at the Walker too) in tow. Here are some selected images from the show that was left off glasstire's listings while the design show at Barbara Davis was included. We've left the merchandising off the docket, so enjoy the gift shop, y mas.






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Eero Saarinen Tulip Table in the corner of the exhibit, instead of 60s plastic this one's marble.
I guess that means it deserves a decadent chandelier.

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Tish bought a cupcake!

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